Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Friday, July 11, 2008

I love you, Bob Cassilly


(stltoday.com) The new roof the City Museum, set to open in late July.
STLtoday: "High (and not so) Dry", on Cassilly's plans for the City Museum and Cementland

"
The Ferris wheel is part of the City Museum's so-called rooftop attraction, the latest creation from City Museum founder/artist/madman Bob Cassilly. Poised to open this month, the roof will feature fountains, ramps and bridges, a cafe, a circus big top and three slides, including a 10-story ride to the bottom of the museum.
Cassilly has big dreams for the space — acrobats swinging from a trapeze underneath the one-time dome of the St. Louis Planetarium, families lounging under the shade of B-52 parachutes, kids splashing in the fountain fashioned from a carved elephant's trunk."

"I don't talk about money. That would be vulgar," he said."

"Cassilly has floated vague ideas for the site for years, but was forced to reveal his plans a month ago after St. Louis and the village of Riverview ordered Cassilly to stop work on the property. The site straddles both cities, but to no one's surprise, Cassilly never obtained permits from either."

""His story was always all of the work was being done in the city and then he'd tell the city all of the work was being done in Riverview. Finally we had to put our foot down. Let's just say working with him has been quite an experience.""

"St. Louis' most imaginative recycler, Cassilly built the rooftop attraction with slate from a St. Louis roofing company, bricks picked from the rubble of Cementland, mirrored blocks from Barnes-Jewish Hospital, steel panels from Boeing, benches from St. Louis Community College at Forest Park and old Cypress tanning barrels."

Gosh, I love him. It seems like the only way to get things done in this backward town is to do them and ask permission later. I hope Bob Cassilly runs for Mayor.


Bob Cassilly's Cementland in the New York Times: "One Part Cement, Two Parts Whimsy, One Odd Park"

"“In St. Louis, no one has the confidence in their creativity and intelligence” to make projects like the museum or Cementland work, said Tim Tucker, a developer who worked with Mr. Cassilly in the 1990s. “Lots of people conceive things, but very few can implement them as well as Bob.”"

"Pointing south, he rhapsodized about how downtown St. Louis would look from Cementland: “In the afternoon, when the sun shines on the city, you get this nice reflection. You don’t see all the trash and stuff. It’s the best view of the city.”"

"Mr. Tucker, the developer, was not encouraging when Mr. Cassilly told him of plans to buy a 750,000-square-foot complex for 69 cents a square foot. “If you’d given anyone half a million dollars in 1993, the last place to spend it was in St. Louis,” Mr. Tucker said.
Nevertheless, the Cassillys bought the complex, including the International Shoe Building, offices and a 10-story warehouse with a severe, boxy exterior that Mr. Cassilly described as “something Joseph Stalin would have designed.” He and a crew set about renovation, punching holes in walls and floors and transforming the site into the St. Louis City Museum."

"While the process has been slow, and Mr. Cassilly received a ticket for dumping with an expired permit in 2000, nature’s constancy will eventually be contrasted with man-made decay, as grass covers the dirt, Mr. Cassilly’s collection of obsolete machines grind and whir to no end and the core of the factory is flooded, allowing visitors to ride boats in and out of the buildings."

"The goal, he said, is similar to that of the City Museum: to create an unmistakable place “where people can come and do things they’re not supposed to.”"

View a slideshow of the progress of Cementland here.

I have a cool sister-in-law: Liz Kueneke


RebuildingRome.com

My sister-in-law, Liz Kueneke, is an artist based out of Barcelona, Spain. She is called a psychogeographer and works in cultural cartography, most of her art installations have to do with how people view the space they live in. My favorite piece of hers to talk about is the one she did for the city of Barcelona. I probably don't have all of the facts right but she collaborated with other artists in Barcelona to create a large map of the neighborhood and people would walk by and interact with it. She had markers for people to put on the map, to change the map, to make it their own. Markers such as "I got mugged here," "I fell in love here," "I used to live here," etc. I love this idea. (see pictures of the project here)

Her most recent project is with the city of Rome. She has gathered people's thoughts on various spots in Rome on MP3 and made it into a biking tour of Rome - much like the headsets one wears in an art museum, with a voice explaining each piece. At various spots in the city, a voice will come on explaining what that place meant to them, and how they think of Rome. The picture above is the bike map for Rome. It's an awesome idea.

Liz Kueneke artist page

Eternal Tour - Rome
Rebuilding Rome

Friday, July 4, 2008

Summer reading: "Shadow Player: the provocations of Paul Chan"



"There are six projections in the title series, each soundless and lasting fourteen minutes; a seventh takes the form of abstract drawings on music manuscript paper. They all begin with a flood of warm colors, reds and yellows, which gradually give way to black, silhouetted images. In '1st Light,' the initial images include a telephone pole, overhead wires, and flocks of birds; into this space, a minute later, small objects slowly rise - cell phones, eyeglasses, folding chairs, an iPod - defying gravity and breaking apart. Larger objects float up: a police car, a bicycle, and then, shockingly, a body hurtles downward. More human figures fall, sometimes singly, sometimes in pairs or groups, travelling much faster than the rising objects, until color returns in washes of deep blue and violet and the cycle begins anew.
One thinks inevitably of September 11th. Also the Apocalypse and the Rapture, but with a twist - God welcoming our consumer goods while sending us to the Other Place. When I asked Chan about this, he grinned and said, 'Given that what I like is to turn things upside down, I thought it might be more interesting if Jesus didn't take anyone, but only took our favorite things."

"Shadow Player: The provocations of Paul Chan" by Calvin Tomkins in The New Yorker

Sunday, June 29, 2008

Summer reading: "Funhouse"


(artthrob.co.za)

"I remember my first encounter, in Germany, in 1992, with [Jeff] Koons's famous 'Puppy,' the forty-three-foot-high Scottie dog enveloped in living flowers. As I was judiciously taking descriptive and analytical notes, a bus arrived bearing a group of severely disabled children in wheelchairs. They went wild with delight. Abruptly feeling absurd, I shut my notebook and took instruction from the kids' unequivocal verdict."

"Funhouse" by Peter Schjeldahl in The New Yorker

Monday, April 14, 2008

Frag


skineart.com - art from Moleskine notebooks

To read: Ben Gibbard (Death Cab for Cutie/The Postal Service) on "The Meaning of Life" in Paste Magazine - thanks, Marty. "Liking interesting things doesn’t make you interesting."

I have to make a website for my Dad's book, does anyone know how to make a website? (here's the one he has already - Douglass and Associates), and yes, I'm an associate, thanks.

word of the day: sinecure - an office which involves minimal duties at full pay

Friday, March 14, 2008

Diem Chau





Artist Diem Chau carves tiny sculptures in crayons. Amazing.

- found at Honey Skunk

Monday, November 19, 2007

Corporate Art

Why is it that the best and most beautiful art is made by advertisers? Why is it that the only people putting up any kind of real money to be creative are corporations?

While I was at L'Abri, one of the workers emphasized the idea that the Church should be one of the major patrons of the arts, if we really believe that God made us creative in His image.

That said, here's some really stinking cool corporate art, while we're waiting. All are from Sony Bravia. There are three that rock. One has paint, one has bouncy balls, one has play-doh bunnies. They're all really cool. You can find them in better definition at their website: Sony Bravia Europe
Here's crappy YouTube versions. I think Claire showed me these, thanks Claire.